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The team has developed new tools for managing and editing cinematic material, this, in order to emphasize the multidimensionality of the emotional content in the narrative imagery. In the core of enactive cinema project Obsession (2003, 2005, 2006) a kind of Eisensteinian 'montage-machine' is in work. The ”montage-machine” is based on a narrative logic that matches cinematic content with spectators’ psycho-physiological states. Thus the spectator’s emotional experiences have effects on the narrative, constituting an ecological circuit of continuous interaction with the spectator and the narrative space.
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Last Updated ( Oct 06, 2006 at 10:33 AM )
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Enactive Cinema 
